Toad informs him that Bowser and his henchmen invaded the castle and has kidnapped the princess and is holding everyone hostage inside the castle walls. They go inside the castle and hear a familiar voice telling him to get out of the castle. When Mario arrives, he meets the Lakitu Bros., whom are filming Luigi. We are all trying to find new ways and that’s what they do.Princess Toadstool sends Mario to come to her castle to save from Bowser. For some, it’s ‘disgusting.’ That being said, as a society, we are thinking about what we have learnt and what we can unlearn. Some don’t know how they live and not everybody loves it of course. “They are just a little afraid of what the people they know are going to say. They are fine with going public with it, however, argues the director. While the three still live together, their relationship has changed over time. I am always coming from an emotional connection and when you talk about relationships and love, you can’t just look at them from the outside,” she says. I had to be careful and take care of them too,” she says, although combining the roles of a director and a cousin brought its own challenges. I was aware it’s a very sensitive situation. “There is a reason why there is a couch on the poster – it felt like group therapy! After shooting, we would always discuss what had happened and how everyone felt about it. We have different kinds of feelings for different people.”Īdmitting the concept of the film proves intriguing to many, Arndt wanted to make sure her protagonists felt “represented and seen,” letting them address her directly in the movie. When it comes to romantic relationships, we always think of exclusiveness, which is really limiting. She works hard to keep that whole system going. Sarah is struggling and yet she is still willing to go to those lengths and be open.
“You could make a film where everyone goes, ‘It’s the greatest concept ever!’ They say they are happy, but it’s a struggle and you can feel it,” she notes, pointing out that each of the characters deals with the situation in a completely different way.
Especially to Sarah, struggling with jealousy. They also open up about their trials, as their new way of life doesn’t come easy. “It’s protecting them but it’s also constantly changing, like their relationship,” she says. In her film, produced by Gregor Matuschek and lensed by Anselm Belser, they find refuge in nature. It was interesting, how they do it and how they are so open to every feeling and thought.”
NIGHT OF REVENGE 0.30 HOW TO
We all have certain concepts in our heads about how to live and work, about what family is.
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“They found a way to communicate, find new structures and basically free themselves. Then I found out about Christian’s story,” says Arndt, calling the film her “most intimate” work to date. “I was thinking about the whole subject of non-monogamous relationships for a long time. While he pursues romantic entanglements with other women, his girlfriend Sarah meets Gregor and the three start to form an unconventional family unit. Romanian Auteur Cristi Puiu to Be Sole Juror at Ji.hlava Documentary Film FestivalĪrndt also turned to her family in “Roof of Leaves,” in which she explores the polyamorous relationships of her cousin Constantin. What we have experienced was really extraordinary in a way.”īelarusian Director Andrei Kutsila on the Opposition to Alexander Lukashenko's Violent Regimeīelarus Documentary 'Flowers Are Not Silent' to Open Ji.hlava Film Festival Oliver Stone to Deliver Masterclass “It’s going to be an intense process, going back to where I came from, meeting all these people who often lead completely different lives. It’s basically my story, so this time, I will have to be in the film,” she tells Variety. These include a feminist revenge film “Over” – “It’s not going to be ‘Bandidas,’ ” she jokes, promising a more realistic take than the Salma Hayek and Penélope Cruz starrer – and another documentary, “This Is Our House,” in which she will go up close and personal, talking about her upbringing in a Berlin commune in the 1980s. Documentary Film Festival’s Testimonies section, German director Anna Caroline Arndt is readying her next projects. About to celebrate the world premiere of “Roof of Leaves,” chosen for Ji.hlava Intl.